‘we must have done some wrong to nature’
On Friday 11 March 2011 at 2.46pm a 9.0 magnitude earthquake hit off the east coast of Japan. The Guardian newspaper has described the event as ‘the fourth most powerful in the history of seismology. It knocked the Earth six and a half inches off its axis; it moved Japan four metres closer to America. In the tsunami that followed, more than 18,000 people were killed. At its peak, the water was 40 metres high. Half a million people were driven out of their homes.’
Adding to the heart-breaking devastation caused by the violent tremors and freak waves, a disaster would unfold in slow motion at the Fukushima Daiichi power station standing right on the coastline. As night fell on the day of the quake millions of households were without power but the Tokyo Electric Power Company (Tepco) insisted that radiation levels were not abnormal. However, by 15 March three of the four reactors on the site had suffered nuclear meltdowns due to the loss of core cooling, there were three hydrogen explosions and extensive radioactive contamination was emitted into the atmosphere. This was the most severe nuclear accident since the Chernobyl disaster in 1986; 154,000 citizens were evacuated from their homes within a 20km radius of the beleaguered plant.
Continue reading “Concert for Japan”
In 1983 the cassette-based magazine Audio Arts published a supplement capturing radical German artist Joseph Beuys in conversation with both the magazine’s founder William Furlong and Michael Newman. The recording was made at London’s Victoria & Albert Museum on the occasion of an exhibition of Beuys’ drawings. The artist, then in his early sixties, quickly widens the discussion to his ‘goals’: ‘I decided in my life not to become a physicist but to try to make an experience with the Arts; to widen understanding of the Arts, to become able to change the social order..’ Science, whilst being highly developed so as to render us ‘even able to fly to outer-terrestrial planets,’ is however unable to make clear ‘what it means to be a human being and what the inner goal of life on earth would mean, and what would be the highest quality for the life of the different peoples on earth, and how they could overcome their inner frustration, and how they could overcome the alienation of their working places. So, in being directed to bring a wider understanding of art which is related to everybody’s labour, on every existing working place, it is on the point where it touches the economical system.’ Continue reading “The Healing Place”
Inspired by the art of cinema
‘There was a wave of Russian films which made their way to London during the eighties/nineties which I adored. None more so than Tarkovsky.. ..I believe Tarkovsky’s work has had an influence on my life and work in much the same way that certain key experiences stay with and enrich our lives, become points of reference and renewal. Seeing my first Tarkovsky film was to experience an epiphany of sorts. It registered deeply and profoundly.’ (DS, 1999) Continue reading “Maria”