Andrei Tarkovsky

The Ink in the Well

‘years with a genius for living’

At the end of the behind the scenes video that takes us ‘fly-on-the-wall’ into the sessions for Brilliant Trees in Berlin, a relaxed David Sylvian leans against the studio wall enjoying a snack of ice cream – the only food he could find in the café next door to the studio suitable for his newly adopted vegetarian diet. He confides to Yuka Fujii, who is behind the camera, ‘I should have just under an album’s worth of material when I get back to London. But I think I will use some of it as a separate single, because it doesn’t sit together as one album. So I will get back to London and I will write some more, and go into the studio and try to finish that.’

Concert for Japan

‘we must have done some wrong to nature’

On Friday 11 March 2011 at 2.46pm a 9.0 magnitude earthquake hit off the east coast of Japan. The Guardian newspaper has described the event as ‘the fourth most powerful in the history of seismology. It knocked the Earth six and a half inches off its axis; it moved Japan four metres closer to America. In the tsunami that followed, more than 18,000 people were killed. At its peak, the water was 40 metres high. Half a million people were driven out of their homes.’

The Healing Place

Artist as shaman

In 1983 the cassette-based magazine Audio Arts published a supplement capturing radical German artist Joseph Beuys in conversation with both the magazine’s founder William Furlong and Michael Newman. The recording was made at London’s Victoria & Albert Museum on the occasion of an exhibition of Beuys’ drawings. The artist, then in his early sixties, quickly widens the discussion to his ‘goals’: ‘I decided in my life not to become a physicist but to try to make an experience with the Arts; to widen understanding of the Arts, to become able to change the social order.’ Science, whilst being highly developed so as to render us ‘even able to fly to outer-terrestrial planets,’ is however unable to make clear ‘what it means to be a human being and what the inner goal of life on earth would mean, and what would be the highest quality for the life of the different peoples on earth, and how they could overcome their inner frustration, and how they could overcome the alienation of their working places. So, in being directed to bring a wider understanding of art which is related to everybody’s labour, on every existing working place, it is on the point where it touches the economical system.’

Maria

Inspired by the art of cinema

‘There was a wave of Russian films which made their way to London during the eighties/nineties which I adored. None more so than Tarkovsky…I believe Tarkovsky’s work has had an influence on my life and work in much the same way that certain key experiences stay with and enrich our lives, become points of reference and renewal. Seeing my first Tarkovsky film was to experience an epiphany of sorts. It registered deeply and profoundly.’ (DS, 1999) Continue reading “Maria”