Wave

from ‘Saints and Sheep’

I was at university in London in the mid-1980s, and my primary connection to what was happening in the world of the ex-members of Japan was the fanzine Bamboo. I would eagerly anticipate each new issue, taking a walk after lectures to the Virgin megastore on Tottenham Court Road to check whether they might have a new issue in stock. If in luck, I’d hop on the bus back to Denmark Hill, make a coffee and sit in the one easy chair in my student accommodation to devour the content from cover to cover. The full set of these A5 volumes still sits proudly in my music cabinet at home – and if any of the dedicated band of instigators and contributors should read this, then please accept grateful thanks for being a lifeline to fans in those days before the information superhighway.

Issue 6 from 1985 carried pictures of David Sylvian taken on 7 July that year; he’s wearing large shades, a designer white shirt with bold black design and has a portfolio case tucked under his arm. The photographs are accompanied by the following news: ‘It’s been over a year since the release of Brilliant Trees and the wait for another LP continues. David’s second album provisionally titled The Holy Blood of Saints and Sheep was due for release in September but has now been delayed until November when the video Preparations for a Journey will also be released.. ..Side One of the album is an instrumental piece entitled ‘Explosion of Faith in a Cathedral’. Side Two consists of three or four songs.’ Continue reading “Wave”

Blemish/Camphor

Stripped bare

The final phase of David Sylvian’s time as a Virgin records artist was marked by Dead Bees on a Cake – his celebration of love, human and divine – and then a series of releases that looked back across his career to that point. The Everything and Nothing compilation brought together highlights from his vocal work including some reworkings and unreleased material. Damage was remixed by Sylvian to reflect his take on the collaboration with Robert Fripp. Finally there was Camphor, the instrumental companion piece to Everything and Nothing. Amidst all of this there was the retrospective Everything and Nothing tour covering Japan, Europe, US and Canada. Continue reading “Blemish/Camphor”