Like Planets – Nagarkot

The potency of the past

Alongside musical performances and live remixes at the Punkt festival there is a seminar programme embracing a wide range of topics related to creativity and innovation in the art of sound. For the fifteenth festival in 2019 the seminar curator was musician, musicologist and writer David Toop. ‘The theme of the Punkt seminars this year is Voices of Memory: sounding, listening and the sense of who we are,’ he writes in the festival programme. ‘Memory is vital to music, if only because sound is always running away from us, slipping into the air like a ghost. To understand form, relationships, the developing shape of a musical piece depends on keeping a memory alongside our immediate sense of what is happening.. ..There are many facets to musical memory, ranging from personal and cultural identity, to archival and technological memory, to the different memories involved in notation or improvisation, to the way we constantly rewrite our memory of music in relation to our changing selves.’ Continue reading “Like Planets – Nagarkot”

Forbidden Colours (version)

Unresolved questioning

When David Sylvian entered Berlin’s Hansa studios in the summer of 1983 to start putting together his debut solo album, Brilliant Trees, amongst his top priorities was returning to the recent chart success ‘Forbidden Colours’, in which his vocal melody was interweaved with Ryuichi Sakamoto’s soundtrack theme for Merry Christmas Mr Lawrence. The intent of this was not to lend some familiarity and commercial impetus to the new release, but rather to re-work the composition from a new musical palette. It was also recognition that in this song, Sylvian found his voice for the new chapter. Continue reading “Forbidden Colours (version)”