Atom and Cell

‘a small seed that burrowed its way into my mind’

Manhattan, 10th September 2001. ‘That’s where the story starts,’ David Sylvian confirmed to the host of BBC Radio 3’s Mixing It programme. ‘That’s because I was in New York the night before the attack took place. I was there with my wife and family, and Ingrid turned around to me and said, “There’s a really ominous feel in the city tonight, you know, that something awful is going to happen.”’

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When Poets Dreamed of Angels

Acts of violence

Early in 2020 Italian journalist and music critic Gabriele Ansaloni, aka Red Ronnie, invited guitarist Phil Palmer to appear on his online show. Over the course of their conversation he played Palmer a selection of vinyl featuring his contributions – just a small selection from over 500 albums on which he has appeared. Their conversation started with the story of Phil’s work with David Bowie and Iggy Pop on the latter’s album The Idiot, in particular his solos on ‘Nightclubbing’ where he was asked to reproduce the experience of walking by night down Wardour Street in London’s Chinatown and hearing the music tumbling into the streets from the various clubs as he passed.

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Concert for Japan

‘we must have done some wrong to nature’

On Friday 11 March 2011 at 2.46pm a 9.0 magnitude earthquake hit off the east coast of Japan. The Guardian newspaper has described the event as ‘the fourth most powerful in the history of seismology. It knocked the Earth six and a half inches off its axis; it moved Japan four metres closer to America. In the tsunami that followed, more than 18,000 people were killed. At its peak, the water was 40 metres high. Half a million people were driven out of their homes.’

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The Scent of Magnolia

‘unorthodox with a lot of movement’

When David Sylvian’s career-to-date retrospective album Everything and Nothing appeared in 2000, it turned out to be a compilation with a difference. Among the familiar songs from twenty years of his musical history were some never-before-heard tracks spanning the entire period. The artist was clear, however, that these were not inferior and therefore discarded out-takes.

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Ghosts – live

‘some sense of nostalgia’

Sometimes it’s difficult to remember why you made a particular decision. Especially one that you wish you could change afterwards… It was late 1982 and I was in the final year at school. Important exams were looming the following year which would determine whether I would achieve my ambition of going to university, and if so, which one I might attend. My fascination with Japan had developed in the preceding months as the singles ‘Ghosts’ and ‘Cantonese Boy’ had been lifted from Tin Drum, catching my attention and drawing me to the album. The plethora of Hansa singles had got me exploring the back catalogue, and I was guided through by an enthusiastic friend.

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