How Little We Need to Be Happy

‘a sense of dislocation’

‘I didn’t want the listener to feel comfortable when they heard this record because it wasn’t comfortable to make it. It was profoundly uncomfortable and often disturbing. Although that is the opposite of the way I tend to work, it seemed to be the right approach for this particular project. I know it’s going to alienate a lot of listeners who won’t understand how to approach the work, but I had to be true to the essence of this project and working with Derek enabled me to find another voice with which to deal with these rather difficult emotions.’ (DS, 2003) Continue reading “How Little We Need to Be Happy”

Blemish – Camphor

Stripped bare

The final phase of David Sylvian’s time as a Virgin records artist was marked by Dead Bees on a Cake – his celebration of love, human and divine – and then a series of releases that looked back across his career to that point. The Everything and Nothing compilation brought together highlights from his vocal work including some reworkings and unreleased material. Damage was remixed by Sylvian to reflect his take on the collaboration with Robert Fripp. Finally there was Camphor, the instrumental companion piece to Everything and Nothing. Amidst all of this there was the retrospective Everything and Nothing tour covering Japan, Europe, US and Canada. Continue reading “Blemish – Camphor”