Concert for Japan

‘we must have done some wrong to nature’

On Friday 11 March 2011 at 2.46pm a 9.0 magnitude earthquake hit off the east coast of Japan. The Guardian newspaper has described the event as ‘the fourth most powerful in the history of seismology. It knocked the Earth six and a half inches off its axis; it moved Japan four metres closer to America. In the tsunami that followed, more than 18,000 people were killed. At its peak, the water was 40 metres high. Half a million people were driven out of their homes.’

Adding to the heart-breaking devastation caused by the violent tremors and freak waves, a disaster would unfold in slow motion at the Fukushima Daiichi power station standing right on the coastline. As night fell on the day of the quake millions of households were without power but the Tokyo Electric Power Company (Tepco) insisted that radiation levels were not abnormal. However, by 15 March three of the four reactors on the site had suffered nuclear meltdowns due to the loss of core cooling, there were three hydrogen explosions and extensive radioactive contamination was emitted into the atmosphere. This was the most severe nuclear accident since the Chernobyl disaster in 1986; 154,000 citizens were evacuated from their homes within a 20km radius of the beleaguered plant.

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Song

Last words

The first time I heard Franz Wright’s voice I had no idea of the identity of the speaker. It was 7 September 2013 and the premiere of The Kilowatt Hour, a trio of Christian Fennesz, Stephan Mathieu and David Sylvian, taking place at the Punkt Festival in Kristiansand, Norway. The venue was the main screen at the local cinema: the sound system powerful and detailed, the acoustics perfect.

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Wintersleep – The Wall

‘bearing witness to what’s real’

‘I was pretty well-read by the time I was fourteen, but it never occurred to me to write. I was interested in being a musician or a scientist. Then something happened when I was about fifteen.. ..In the summer my mother and step-father and I used to go to Clear Lake, California, up above Napa Valley. I woke up early one morning and had a strange feeling. I took a walk around dawn out into a walnut orchard, and I sat down. This ecstasy came over me, and I started to write. I ended up writing a seven-line poem. I sent it off to my dad, and we started corresponding about it. It was clear to me that I had to have this sensation again. I had never felt anything like this. I felt that this was what I was supposed to do.

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Manafon

‘A man out of time’

Manafon. Manafon? What could it mean? Scurrying to a search engine it was soon discovered that David Sylvian’s new album was named after a small rural community located in the hills of Montgomeryshire, the northern part of the Welsh county of Powys. But that just raised more questions! Why?! Continue reading “Manafon”

Small Metal Gods

‘A new frontier’

From the completion of The World is Everything tour in 2007 there was great anticipation of David Sylvian’s next vocal project. Sketchy details surfaced of earlier studio sessions with members of the experimental improvisation group Polwechsel, and a release date in autumn 2008 was mooted – but the year closed without any news.

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