Let the Happiness In – Gone to Earth – live

‘building a bridge into another world’

On 9 July 1987 the Penguin Cafe Orchestra performed at the Royal Festival Hall in London, a concert captured for the album When in Rome, released by E.G. Records the following year. Among the performers that night were several names familiar to followers of David Sylvian’s music. Simon Jeffes, co-founder of the group, had by this time been invited by Sylvian to contribute to sessions for the ‘Bamboo Houses’/‘Bamboo Music’ single with Ryuichi Sakamoto, and to provide an orchestral arrangement for ‘Wave’ during its development for Gone to Earth, although ultimately Jeffes’ contributions didn’t make the final mixes for either project. Steve Nye, producer of Japan’s Tin Drum and Sylvian’s solo work throughout the ’80s, was also on stage. Nye had been one of the founder members of Penguin Cafe Orchestra back in 1973, when the line-up was a quartet, his principal contribution being piano and harmonium at the Royal Festival Hall. And finally there was Jennifer Maidman who mainly shared percussion duties with Julio Segovia that night, although she took up bass guitar for the exuberant opener, ‘Air à Danser’. Maidman’s bass propels a trio of tracks on Gone to Earth, none more so than the opening track and lead single ‘Taking the Veil’ (see here for an earlier conversation with Jennifer about that song).

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Taking the Veil

‘capturing moments in time’

The collection of songs that came together to form disc one of Gone to Earth was created in two distinct phases. David Sylvian first spent time developing a trio of tracks that he anticipated would form part of a release alongside ‘Steel Cathedrals’ or ‘Words with the Shaman’. These were ‘Laughter and Forgetting’, ‘Before the Bullfight’ and the track first known as ‘Saints and Sheep’ which ultimately found life as ‘Wave’.

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