‘Credit where credit’s due. Yuka brought the first Chinese records home which filled my head with unknown sounds, and it was only a matter of weeks before they were circulated around the band and we were all hooked,’ writes Mick Karn in his book Japan & Self Existence of then girlfriend, Yuka Fujii. ‘I couldn’t get enough of them. It was always exciting to get home and listen to what I’d bought on the strength of the sleeve design alone. The best were the instrumental tracks, for it was the unusual instrumentation that left us wondering at how the absence of guitars, drum kit, synthesisers and anything else familiar, somehow still produced commercially driven music.
Continue reading “Visions of China”
‘years with a genius for living’
At the end of the behind the scenes video that takes us ‘fly-on-the-wall’ into the sessions for Brilliant Trees in Berlin, a relaxed David Sylvian leans against the studio wall enjoying a snack of ice cream – the only food he could find in the café next door to the studio suitable for his newly adopted vegetarian diet. He confides to Yuka Fujii, who is behind the camera, ‘I should have just under an album’s worth of material when I get back to London. But I think I will use some of it as a separate single, because it doesn’t sit together as one album. So I will get back to London and I will write some more, and go into the studio and try to finish that.’
Continue reading “The Ink in the Well”
Early in 2020 Italian journalist and music critic Gabriele Ansaloni, aka Red Ronnie, invited guitarist Phil Palmer to appear on his online show. Over the course of their conversation he played Palmer a selection of vinyl featuring his contributions – just a small selection from over 500 albums on which he has appeared. Their conversation started with the story of Phil’s work with David Bowie and Iggy Pop on the latter’s album The Idiot, in particular his solos on ‘Nightclubbing’ where he was asked to reproduce the experience of walking by night down Wardour Street in London’s Chinatown and hearing the music tumbling into the streets from the various clubs as he passed.
Continue reading “When Poets Dreamed of Angels”
‘an explosion of frustration’
‘Red Guitar’ was the first song heard from Brilliant Trees, being the advance single heralding Sylvian’s debut album. But when we carefully removed the vinyl from its designer inner-sleeve for the inaugural play of a Sylvian solo LP, it was ‘Pulling Punches’ that launched the ride into the unknown. And what an explosive, energetic opener it is.
Continue reading “Pulling Punches”
‘capturing moments in time’
The collection of songs that came together to form disc one of Gone to Earth was created in two distinct phases. David Sylvian first spent time developing a trio of tracks that he anticipated would form part of a release alongside ‘Steel Cathedrals’ or ‘Words with the Shaman’. These were ‘Laughter and Forgetting’, ‘Before the Bullfight’ and the track first known as ‘Saints and Sheep’ which ultimately found life as ‘Wave’.
Continue reading “Taking the Veil”