‘an explosion of frustration’
‘Red Guitar’ was the first song heard from Brilliant Trees, being the advance single heralding Sylvian’s debut album. But when we carefully removed the vinyl from its designer inner-sleeve for the inaugural play of a Sylvian solo LP, it was ‘Pulling Punches’ that launched our ride into the unknown. And what an explosive, energetic opener it is.
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Sat in the Reading Room for Rare Books and Music at the British Library in London, I don the headphones provided. I’ve come to this hushed space to listen to a conversation recorded with photographer Angus McBean in 1989, just months before his passing. Hearing the excited tones of the sprightly octogenarian, it’s impossible not to be caught up in his enthusiasm for life and his sheer joy at recounting tales from a career in which he captured portraits of the stars of stage, screen and literary arts – Audrey Hepburn, Dame Peggy Ashcroft, Ivor Novello, Vivien Leigh, the Beatles, Sir Ralph Richardson, Dame Margot Fonteyn, T.S. Eliot, Benjamin Britten, the list is truly incredible. If a glint in the eye can be caught on audio tape then surely it is captured here. It’s the same playful energy that comes over in the settings created for his subjects, influenced as they were by his early career as a mask-maker and scenery designer for stage productions and by the impact of the Surrealist movement.
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Music and lyrics in perfect harmony
‘Without wishing to embarrass you, I think that’s probably the finest piece of music that you have recorded to date.’ David ‘Kid’ Jensen made this comment when interviewing David Sylvian on his UK Radio One show, having just played the title track from Sylvian’s new album. This was in mid-June 1984, two weeks ahead of the album’s release, and was the first time that I – and I’m sure many others – had heard the piece. Continue reading “Brilliant Trees”