New Moon at Red Deer Wallow

‘One of the strangest tracks’

Following their excursion into commercial pop territory with The Dolphin Brothers, Steve Jansen and Richard Barbieri’s next joint project was set to take a very different direction. ‘We try to alternate our recordings in terms of types of album,’ explained Jansen. ‘Our first album [Worlds in a Small Room] was instrumental, the next vocal; so this should have been instrumental. Also, the record company weren’t budgeting enough for a vocal album, which requires studio time. If they had said, “do another vocal album, here’s the budget,” we’d have done it. But we were quite happy not to.’

In 1989, with a modest budget of £10,000 from Virgin’s subsidiary Venture label, the pair set about the creation of what would ultimately become Stories Across Borders. It was a new experience, said Barbieri: ‘We’ve never recorded on a small scale before, from our first [Japan] album we always had a lot of time in top studios.’ However, there was a certain challenge in a fresh approach. Jansen: ‘We’ve had enough time in studios that we know what we want to achieve, and we wanted to try and do it with limited equipment.’ Continue reading “New Moon at Red Deer Wallow”

Red Earth (as summertime ends)

‘A completely different approach and feel’

It seems that there were certain aspects of being in a band that David Sylvian felt liberated from after Japan split up, but there were others that he missed almost immediately when setting out as a solo artist.

In 1986, just after the release of his second solo album Gone to Earth, he explained that his desire for musicians from a jazz background to perform on his records ‘came out of the frustration of working within a band like Japan which was studio-bound. Nothing was improvised except in rehearsals when you are putting the track together. Going into the studio everything was well prepared and you really knew what you were doing, and it was only a matter of sound you were working with. So, when Japan split up I wanted to get into something that had a bit more life to it, a bit more spontaneity to it.’ Continue reading “Red Earth (as summertime ends)”