The Other Side of Life

‘a new high mark of maturity’

There were fundamental differences in band preparations for Japan’s third LP. The material for the first two albums, Steve Jansen explained, ‘was performed extensively live before we had the opportunity to record it. Therefore, those albums serve more as a document of what we’d learnt as a group performing together. There was very little recording craft involved, just a lot of energy and influences from an eclectic mix of styles, which were all a part of our early teenage years onwards.

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In Vogue

Realising possibilities

Tin Drum was my introduction to the music of Japan and from there I explored the previous releases. These were my final years at school and it was an exciting time with a world of music opening up to me that I just hadn’t been aware of before. A friend encouraged me to listen, passing me C90 cassette tapes of his favourite music which I would lose myself in, then saving my Saturday job money so I could visit the local record shop to buy the vinyl. The skull-and-cross-bones symbols may have said that home taping was killing music, but it also helped to foster a life-long appreciation of some incredible recordings – many of which I now own in multiple copies: vinyl, cd, re-releases, remasters…

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