The first time I heard Franz Wright’s voice I had no idea of the identity of the speaker. It was 7 September 2013 and the premiere of The Kilowatt Hour, a trio of Christian Fennesz, Stephan Mathieu and David Sylvian, taking place at the Punkt Festival in Kristiansand, Norway. The venue was the main screen at the local cinema: the sound system powerful and detailed, the acoustics perfect.
Weaved within the music, high in the mix, were readings in a distinctive modulating voice that was both strident and world-worn. There had been no inkling beforehand that there would be a spoken word element to the performance, so in the absence of context all one could do was give total attention to the lines narrated. At the time, the experience of hearing passages confronting mental anguish, illness and death was extremely disconcerting… shocking even. I was unprepared for it.Continue reading “Song”