In 1989 a new building was opened for the Tochoji Zen Temple in Yotsuya, Tokyo. Initially established in 1594, the modern development was commissioned under the design of Takashi Serizawa to commemorate the Temple’s 400th anniversary. By now situated just minutes away from the Tokyo Metro amidst the bustle of modern Japanese urban life and commerce, the new complex skilfully combined modern design with a traditional aesthetic. Uniquely, Serizawa incorporated a basement auditorium within the layout and devised a plan for temple activities to be expanded to include cultural projects, particularly in the arena of contemporary art. Soon afterwards this basement venue was officially named ‘P3 art and environment’.
Continue reading “Redemption”
‘ideas of space, time and memory’
In the sumptuously presented book that came as part of the Ember Glance box set, before the reader sets eyes on anything of the installation itself, there is a section entitled ‘The Lakes: preparation’. Included here are treated photographs taken by The Douglas Brothers. A portrait of Ian Walton whose gloriously textural daubs of paint would grace the huge final wall in the finished display. Blurred frames of Sylvian in the Cumbrian outdoors. Hands sifting through rocks, twigs and bones, collating material to be incorporated in a public exhibition that will be staged over 5,000 miles away in Tokyo’s docks.
Continue reading “Ember Glance”
‘minor axioms of major importance’
In October 2019 I travelled to the Lake District in the North West of England, my first visit for some years. Accommodation was a rented cottage overlooking lake Coniston whose waters reflected the tones and activity of the overarching skies; one moment aggravated by the falling rain, in another glinting back transient sunlight from whence it came. On the far shore stood a grand country house, at dusk the golden lights from its windows calling out invitingly when not obscured by autumn mist. This is Brantwood, former home of John Ruskin and the catalyst for the visit, for a few weeks home to Russell Mills’ installation, Happenstance.
Continue reading “Epiphany”