Jean the Birdman – Weathered Wall – live

‘a real rapport’

I was living some four hours’ drive from London in the mid-1990s. There was nobody I knew in the West Country of England who had heard of David Sylvian, yet alone followed his musical activities. Discovering news was difficult and I was always concerned that I’d miss something significant. Bamboo magazine had finished, its Winter 1992 edition being the last. For nearly a decade this fan-run labour of love had been a much-valued source of information and insight, its closure marking the start of Medium – an excellent official newsletter and label concentrating on the activities of Steve Jansen, Richard Barbieri and Mick Karn.

The internet was yet to reach my consciousness – my first email address was provided through freeserve, which didn’t launch until 1998. Then would come the sylvian arastar mailing list through which fans could share any information they’d come across, these snippets of news then delivered either immediately by email or in a regular digest. In the intervening years, Sylvian’s activities seemed distant, all the more so since the final edition of Bamboo recorded, ‘At the beginning of November [1992], David finally moved to America after months of waiting for his visa and Green Card to come through. He is now happily settled in Minneapolis.’

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Life, Life

‘life and death and memories’

‘There have been exceptional times when making music hasn’t been possible,’ reflected Ryuichi Sakamoto in a 2018 interview. ‘Right after 9/11, for example, I couldn’t make any music for a month. The same happened after the Tōhoku earthquake and tsunami in Japan, in 2011. And, obviously, when I got cancer, too. Otherwise, yeah, every single day I listen to music, think about music, play the piano and the synthesiser and I get through cups and cups of coffee.’

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Awakening (Songs from the Tree Tops)

‘words with your inner self’

Asked about the origins of his interest in shamanism in a 1986 interview, David Sylvian responded, ‘I’m not sure, I can’t really remember. I was reading a great deal on different cults and spiritual groups and so on, and the word shaman kept cropping up. And I bought one book – The Shaman Magician or something like that – and that really introduced me to that idea.’

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Ancient Evening – Incantation

‘a sense of fascination’

Words with the Shaman was released at the end of 1985, both as a standalone 12″ vinyl and as part of the limited-edition cassette, Alchemy – An Index of Possibilities. David Sylvian’s sleeve-note on the vinyl placed the recordings in context: ‘The compositions compiled for the E.P. were conceived as musical footnotes to some of the themes started earlier on the album Brilliant Trees, and were developed as a collaborative group effort for which I am very much indebted to all who took part.’

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Bamboo Music

A common language in music

1982 started out with Japan on hiatus. Their Visions of China tour came to an end with a show at London’s Hammersmith Odeon on 27 December 1981, the dates having been overshadowed – at least off-stage – by tensions between band members, in particular between David Sylvian and Mick Karn. ‘Everyone has started on individual projects and Japan doesn’t exist for the next four or five months while we get on with other work,’ Sylvian told an interviewer the following March. ‘So most of what I do and what I think about revolves around what I’m going to do on my own…Steve [Jansen] and Mick [Karn] are doing session work at the moment. They’re performing with some Japanese artists who have come to England to record and Mick’s then going to do a solo single and I think Steve is too.’

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