‘the bridge between rhythm and harmony’
On 23 July 2001, David Sylvian sat down at home to write what would become his introduction for the smart hard-backed concert programme to accompany his forthcoming tour. ‘It’s a warm summer night in New England. Moths are climbing over the wire mesh screens which cover the windows trying to reach the light of the office and the glow of the computer monitor. All is quiet but the beating of wings against wire and the hum of the hard drive. I’m three weeks away from commencing rehearsals for the Everything and Nothing tour. We’re clearing out an old barn on the property, bringing in fresh power from the road expressly for this purpose.
Continue reading “Cover Me with Flowers – live”
Early in 1997, slipped in with the latest edition of the Medium newsletter – the official information service for Steve Jansen, Richard Barbieri and Mick Karn, was a simple A5 flyer. ‘LIVE at the London Astoria 2, Saturday 12 April 1997,’ it declared, ‘a one-off event with special guests.’
Continue reading “Ride – live”
a ‘kind of playful love song’
The first fruits of David Sylvian’s collaboration with Burnt Friedman were heard on a 2005 three track vinyl ep entitled Out in The Sticks, in a line-up that also headlined ex-CAN drummer and past collaborator, Jaki Liebezeit. Sylvian appeared on only one of the cuts, contributing vocals to the original version of ‘The Librarian’ (see here for a discussion with Burnt themed around that track). Continue reading “The Day the Earth Stole Heaven”
The stories we create to tell ourselves
Snow Borne Sorrow by Nine Horses is an album that emerged from a strange origin of creative alchemy. Two projects were underway: collaborations between David Sylvian and Steve Jansen, and between Sylvian and the German composer/programmer Burnt Friedman (initially featuring Jaki Liebezeit). Nine Horses arrived in 2005 but the Jansen/Sylvian collaboration began much earlier, indeed some pieces pre-dated Sylvian’s startling 2003 solo album Blemish. The latter exhibited a quite different approach to the material under development with Jansen, displaying a pared back approach to instrumentation and with improvisation at its heart in both music and lyrics.
Continue reading “A History of Holes”