Manafon. Manafon? What could it mean? Scurrying to a search engine it was soon discovered that David Sylvian’s new album was named after a small rural community located in the hills of Montgomeryshire, the northern part of the Welsh county of Powys. But that just raised more questions! Why?!
Such became the mystified opening question for any interviewer at the time. Factual connections were quickly made, but more than that, an insight was provided into the heart of Sylvian’s new work. ‘The question, “Why Manafon?” leads me on a journey that reveals something of the nature of the entire project,’ explained Sylvian in one of the discussions on release in 2009. Continue reading “Manafon”
‘a masterclass in synth programming’
In March 1980 Japan headed for the country of their band-name, embarking on a tour to support the Quiet Life album. Mick Karn later recalled how their travel was, ‘more often than not, by Shinkansen, the luxuriously smooth bullet train.. ..It was on one such journey I heard a cassette that was being circulated amongst the band, on my Walkman, the latest invention from Sony. Electronic music was the future, Kraftwerk were already a favourite, but there was something different about this band. YMO were the perfect accompaniment to the speeding scenery outside, it was one of those moments when music and visuals became one, quite by accident, and somehow captured the very spirit of Japan. We couldn’t believe that no-one had heard of them abroad.’ (2009) Continue reading “Taking Islands in Africa”
As David Sylvian and Robert Fripp prepared to go out on the road in 1993 to support their album The First Day, it was clear that they would need a drummer as a key member of the band. The material had developed since the initial drummer-less Sylvian/Fripp/Gunn trio shows the year before, and the powerful yet intricate drive present on the album would now be critical in a live setting. Jerry Marotta had left the sessions for the album early in its gestation, with the drum parts on the record constructed from early recordings and samples of his playing, at times manipulated by David Bottrill. So, a new band-member needed to be found. Continue reading “20th Century Dreaming – live”
Climbing down from the mountain
David Sylvian really knows how to end an album on the perfect note. ‘Brilliant Trees’ captures a faltering faith but the wonder of human love as the summation of his debut release of the same name. Secrets of the Beehive, in its original incarnation, leaves the question ‘is our love strong enough?’ hanging in the air, extending beyond the last notes of ‘Waterfront’ and into our own thoughts. The ‘sunshine above the grey sky’ of ‘A Fire in the Forest’ calms the atmosphere after the brutal soul-searching of Blemish. Continue reading “Darkest Dreaming”
October 2016, Cafe OTO in London, and a concert to celebrate twenty years of Confront Recordings, staged by the label’s owner Mark Wastell. Cafe OTO nestles in a side street in Dalston, a gloriously unpretentious venue where a small team share duties at front of house, attending to the bar, sound and lighting, creating a space for performances from some of the leading improvisers and experimental musicians from across the world. Its vibe is part bar, part cool village hall, part vinyl and cd boutique, making it without doubt one of my favourite places in the capital. Continue reading “There is No Love”