Still Life in Mobile Homes

‘the importance of individual personality’

The opening track to Side 2 of Japan’s iconic final studio album, Tin Drum, sequenced between the China-influenced ‘Canton’ and ‘Visions of China’, stands alone in the construction of its rhythm track, pointing forward to new ways of working for the band’s drummer, Steve Jansen. ‘Still Life in Mobile Homes’, Steve said, was ‘the only drum track recorded piecemeal on that album.’ (2015)

Asked on his blog site, sleepyard, how Mick Karn and he put together the bass and drums for this particular song, Jansen explained, ‘In general the rhythm part would lead Mick to syncopate his notation to fall on certain beats and we would then work closely on arranging various changes and details. In other examples (such as ‘Sons Of Pioneers’), Mick had written the bass part without a drum pattern and I had to find something suitable. ‘Still Life In Mobile Homes’ is particularly rigid between the bass and drums and this was inspired by technology that was emerging at the time whereby computerised rhythm sections were locked in sync.’ (2017)

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Sons of Pioneers

Collaboration in a band context

Recently I returned to Tin Drum after a long break. I’m not sure why I neglected it, maybe because David Sylvian has often spoken of his work implying that ‘Ghosts’ was the one Japan song truly reflective of his musical journey. Maybe because the literature and websites tend to differentiate between Japan and the solo period as different eras, and lately I’d given much more of my attention to the latter.

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