‘Credit where credit’s due. Yuka brought the first Chinese records home which filled my head with unknown sounds, and it was only a matter of weeks before they were circulated around the band and we were all hooked,’ writes Mick Karn in his book Japan & Self Existence of then girlfriend, Yuka Fujii. ‘I couldn’t get enough of them. It was always exciting to get home and listen to what I’d bought on the strength of the sleeve design alone. The best were the instrumental tracks, for it was the unusual instrumentation that left us wondering at how the absence of guitars, drum kit, synthesisers and anything else familiar, somehow still produced commercially driven music.
‘The direction that had been missing for the next album was now beginning to take shape. Without consciously copying or mimicking anything we heard, but simply by exploring our own western, electronic instruments to interpret and blend the newly found influences into our writing. We listened to nothing else.’Continue reading “Visions of China”