‘sensitivity to time within space’
From 30 November to 2 December 2016 a symposium entitled On the Edge was staged in Oslo, Norway. Whilst David Sylvian was not present at the event, his influence on the proceedings was significant. The programme was created by Ivar Grydeland, a musician who works in the field of improvisation and a member of the groups Huntsville and Dans les Abres, the latter’s eponymous debut album having been released on the ECM label in 2008.
Continue reading “Playing the Schoolhouse”
When Jan Bang heard that Norwegian trumpeter Nils Petter Molvær had been invited to rework a track for David Sylvian’s instrumental compilation, Camphor, he didn’t hold back in seeking a role in the commission. ‘I said to Nils, “If you are doing a remix of David Sylvian, I need to be on it.” Just like that,’ remembered Bang, laughing, in an interview with John Kelman for the All About Jazz website. ‘Nils and I had been working closely for so many years, and it sort of felt natural.’ (2010)
Continue reading “Before and Afterlife”
The Uncommon Deities audio-visual installation heralded the start of David Sylvian’s creative input to the 2011 Punkt Festival in Kristiansand, Norway, where he was artist in residence. Invited by Punkt founders Erik Honoré and Jan Bang, Sylvian’s initial intention had been to re-stage an audio installation that he had provided for the Bienal De Canarias on Gran Canaria two years earlier. However, he saw the opportunity to bring together various creative threads to concoct a truly immersive experience for the first night of the festival.
Continue reading “The God of Silence”
A new catalyst for composition
The vocal disc of David Sylvian’s 2011 album Died in the Wool comprises pieces that fall into three categories: variations on tracks from Sylvian’s Manafon album created by Japanese composer Dai Fujikura, Manafon variations led by Punkt festival founders Jan Bang and Erik Honoré, and six compositions appearing here for the first time. Continue reading “A Certain Slant of Light”