‘visceral and compelling’
Early on the Twinkle³ album featuring David Sylvian and Kazuko Hohki, Upon This Fleeting Dream, a torrent of fizzing electronic sound tears from one speaker to another, followed by what seems to be the crackle of a spark leaping between contacts. Synthetic beeps and the fragments of a beat escape from a swirling mix. Soaking in the sounds that accompany Sylvian and Hohki’s readings of ancient Japanese poetry, it’s evident there is something distinctive happening in how synthesisers are deployed.
Continue reading “If I Leave No Trace – Empty Handed”
‘sensitivity to time within space’
From 30 November to 2 December 2016 a symposium entitled On the Edge was staged in Oslo, Norway. Whilst David Sylvian was not present at the event, his influence on the proceedings was significant. The programme was created by Ivar Grydeland, a musician who works in the field of improvisation and a member of the groups Huntsville and Dans les Abres, the latter’s eponymous debut album having been released on the ECM label in 2008.
Continue reading “Playing the Schoolhouse”
Alongside musical performances and live remixes at the Punkt festival there is a seminar programme embracing a wide range of topics related to creativity and innovation in the art of sound. For the fifteenth festival in 2019 the seminar curator was musician, musicologist and writer David Toop. ‘The theme of the Punkt seminars this year is Voices of Memory: sounding, listening and the sense of who we are,’ he wrote in the festival programme. ‘Memory is vital to music, if only because sound is always running away from us, slipping into the air like a ghost. To understand form, relationships, the developing shape of a musical piece depends on keeping a memory alongside our immediate sense of what is happening…There are many facets to musical memory, ranging from personal and cultural identity, to archival and technological memory, to the different memories involved in notation or improvisation, to the way we constantly rewrite our memory of music in relation to our changing selves.’
Continue reading “Like Planets – Nagarkot”
October 2016, Cafe OTO in London, and a concert to celebrate twenty years of Confront Recordings, staged by the label’s owner Mark Wastell. Cafe OTO nestles in a side street in Dalston, a gloriously unpretentious venue where a small team share duties at front of house, attending to the bar, sound and lighting, creating a space for performances from some of the leading improvisers and experimental musicians from across the world. Its vibe is part bar, part cool village hall, part vinyl and cd boutique, making it without doubt one of my favourite places in the capital.
Continue reading “There is No Love”