God’s Monkey

‘the blindness, the absolute darkness’

For the music of Sylvian/Fripp there would be a move away from the vocalist’s long-standing studio partner. Steve Nye had been involved as producer, engineer or mixer from Japan’s Tin Drum, throughout Sylvian’s trio of solo albums and onto Rain Tree Crow’s eponymous release in 1991. ‘I had a desire to go into another sonic area,’ explained the singer. ‘I love the warmth and beauty of the tones that Steve gets. Steve also used to give me a lot of feedback on the way I arranged things. But as I have continued to develop, it just seemed natural to move away. We’d exhausted our relationship to some degree. We might work together again, but for now I enjoy working with different engineers and co-producers.’

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The Scent of Magnolia

‘unorthodox with a lot of movement’

When David Sylvian’s career-to-date retrospective album Everything and Nothing appeared in 2000, it turned out to be a compilation with a difference. Among the familiar songs from twenty years of his musical history were some never-before-heard tracks spanning the entire period. The artist was clear, however, that these were not inferior and therefore discarded out-takes.

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Song

Last words

The first time I heard Franz Wright’s voice I had no idea of the identity of the speaker. It was 7 September 2013 and the premiere of The Kilowatt Hour, a trio of Christian Fennesz, Stephan Mathieu and David Sylvian, taking place at the Punkt Festival in Kristiansand, Norway. The venue was the main screen at the local cinema: the sound system powerful and detailed, the acoustics perfect.

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Cover Me with Flowers – live

‘the bridge between rhythm and harmony’

On 23 July 2001, David Sylvian sat down at home to write what would become his introduction for the smart hard-backed concert programme to accompany his forthcoming tour. ‘It’s a warm summer night in New England. Moths are climbing over the wire mesh screens which cover the windows trying to reach the light of the office and the glow of the computer monitor. All is quiet but the beating of wings against wire and the hum of the hard drive. I’m three weeks away from commencing rehearsals for the Everything and Nothing tour. We’re clearing out an old barn on the property, bringing in fresh power from the road expressly for this purpose.

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Before and Afterlife

Creating other worlds

When Jan Bang heard that Norwegian trumpeter Nils Petter Molvær had been invited to rework a track for David Sylvian’s instrumental compilation, Camphor, he didn’t hold back in seeking a role in the commission. ‘I said to Nils, “If you are doing a remix of David Sylvian, I need to be on it.” Just like that,’ remembered Bang, laughing, in an interview with John Kelman for the All About Jazz website. ‘Nils and I had been working closely for so many years, and it sort of felt natural.’ (2010)

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