‘some sense of nostalgia’
Sometimes it’s difficult to remember why you made a particular decision. Especially one that you wish you could change afterwards… It was late 1982 and I was in the final year at school. Important exams were looming the following year which would determine whether I would achieve my ambition of going to university, and if so, which one I might attend. My fascination with Japan had developed in the preceding months as the singles ‘Ghosts’ and ‘Cantonese Boy’ had been lifted from Tin Drum, catching my attention and drawing me to the album. The plethora of Hansa singles had got me exploring the back catalogue, and I was guided through by an enthusiastic friend.
Sometime in the weeks before Japan’s series of six concerts at the Hammersmith Odeon in London, my friend had some important news for me. He had a contact who had bought tickets for a number of the London shows, but had now decided not to attend them all. There was a spare ticket and I could buy it! Continue reading “Ghosts – live”
‘the chaotic nature of life on earth’
Some of the tracks destined for Dead Bees on a Cake had their first origins even before David Sylvian hit the road with Robert Fripp for The Road to Graceland tour, the first date taking place in Tokyo in October 1993 only weeks after David and his wife became parents. Continue reading “Pollen Path”
Sat in the Reading Room for Rare Books and Music at the British Library in London, I don the headphones provided. I’ve come to this hushed space to listen to a conversation recorded with photographer Angus McBean in 1989, just months before his passing. Hearing the excited tones of the sprightly octogenarian, it’s impossible not to be caught up in his enthusiasm for life and his sheer joy at recounting tales from a career in which he captured portraits of the stars of stage, screen and literary arts – Audrey Hepburn, Dame Peggy Ashcroft, Ivor Novello, Vivien Leigh, the Beatles, Sir Ralph Richardson, Dame Margot Fonteyn, T.S. Eliot, Benjamin Britten, the list is truly incredible. If a glint in the eye can be caught on audio tape then surely it is captured here. It’s the same playful energy that comes over in the settings created for his subjects, influenced as they were by his early career as a mask-maker and scenery designer for stage productions and by the impact of the Surrealist movement. Continue reading “Red Guitar”