‘the rebirth of love’
‘Thalheim is a place in Germany,’ states David Sylvian factually on the promotional interview cd that was provided to journalists when Dead Bees on a Cake was at last released by Virgin. ‘A place where another famous Indian saint lives and receives people from around the world. I visited her there and the song touches upon that and my relationship with her.
Continue reading “Thalheim – The Church Bells Strike”Chance adventures
Early in 1997, slipped in with the latest edition of the Medium newsletter – the official information service for Steve Jansen, Richard Barbieri and Mick Karn, was a simple A5 flyer. ‘LIVE at the London Astoria 2, Saturday 12 April 1997,’ it declared, ‘a one-off event with special guests.’
Continue reading “Ride – live”‘a more unpredictable approach’
Robert Fripp’s online diary, 20th October 2004:
‘Today’s work in London is a recording session for David Sylvian’s new solo album. Eden Studios is conveniently just around the corner from the bijou Chateau de Petite Chevalle [an affectionate reference to the Willcox/Fripp residence in Chiswick, just north of the Thames in London].
Today’s session: for me, a treat. David & his brother Steve were both waiting when I arrived…’
Continue reading “The Banality of Evil”‘comprehending our scale within the universe’
Early in the 2000s, Charles Lindsay hit upon an innovative approach to the creation of photographic images that would transform his artistic work, and, without exaggeration, alter the course of his life. The techniques he used were grounded equally in his scientific education and aesthetic sensibilities as an artist. He created pictures that captured the imagination both of academics and fellow artists, leading him into collaborations with individuals from both disciplines – including David Sylvian and Steve Jansen.
Continue reading “Science Fiction”‘capturing moments in time’
The collection of songs that came together to form disc one of Gone to Earth was created in two distinct phases. David Sylvian first spent time developing a trio of tracks that he anticipated would form part of a release alongside ‘Steel Cathedrals’ or ‘Words with the Shaman’. These were ‘Laughter and Forgetting’, ‘Before the Bullfight’ and the track first known as ‘Saints and Sheep’ which ultimately found life as ‘Wave’.
Continue reading “Taking the Veil”
