a ‘kind of playful love song’
The first fruits of David Sylvian’s collaboration with Burnt Friedman were heard on a 2005 three track vinyl ep entitled Out in The Sticks, in a line-up that also headlined ex-CAN drummer and past collaborator, Jaki Liebezeit. Sylvian appeared on only one of the cuts, contributing vocals to the original version of ‘The Librarian’ (see here for a discussion with Burnt themed around that track). Continue reading “The Day the Earth Stole Heaven”
From time to time an announcement comes out of the blue, heralding new music that will be available in just a matter of weeks. So it was in April 2005, when davidsylvian.com announced that a new record was available for pre-order. ‘The release is a new 12″ vinyl single featuring the work of two acclaimed musicians – Burnt Friedman and Jaki Liebezeit. This 12″ release features a mix of one of the tracks from the very exciting forthcoming project that David Sylvian and Steve Jansen have been working on along with Burnt Friedman. The vinyl features three tracks by Burnt Friedman and Jaki Liebezeit, one of which is entitled ‘The Librarian’ which was co-written by and features vocals from David. Though this is a different mix to the one that will appear on the Sylvian/Jansen/Friedman album, it provides a hint of what to expect from the new record which is due later this year on samadhisound.’ Continue reading “The Librarian”
The stories we create to tell ourselves
Snow Borne Sorrow by Nine Horses is an album that emerged from a strange origin of creative alchemy. Two projects were underway: collaborations between David Sylvian and Steve Jansen, and between Sylvian and the German composer/programmer Burnt Friedman (initially featuring Jaki Liebezeit). Nine Horses arrived in 2005 but the Jansen/Sylvian collaboration began much earlier, indeed some pieces pre-dated Sylvian’s startling 2003 solo album Blemish. The latter exhibited a quite different approach to the material under development with Jansen, displaying a pared back approach to instrumentation and with improvisation at its heart in both music and lyrics.
Continue reading “A History of Holes”