‘an explosion of frustration’
‘Red Guitar’ was the first song heard from Brilliant Trees, being the advance single heralding Sylvian’s debut album. But when we carefully removed the vinyl from its designer inner-sleeve for the inaugural play of a Sylvian solo LP, it was ‘Pulling Punches’ that launched the ride into the unknown. And what an explosive, energetic opener it is.
Continue reading “Pulling Punches”
‘some sense of nostalgia’
Sometimes it’s difficult to remember why you made a particular decision. Especially one that you wish you could change afterwards… It was late 1982 and I was in the final year at school. Important exams were looming the following year which would determine whether I would achieve my ambition of going to university, and if so, which one I might attend. My fascination with Japan had developed in the preceding months as the singles ‘Ghosts’ and ‘Cantonese Boy’ had been lifted from Tin Drum, catching my attention and drawing me to the album. The plethora of Hansa singles had got me exploring the back catalogue, and I was guided through by an enthusiastic friend.
Continue reading “Ghosts – live”
‘One of the strangest tracks’
Following their excursion into commercial pop territory with The Dolphin Brothers, Steve Jansen and Richard Barbieri’s next joint project was set to take a very different direction. ‘We try to alternate our recordings in terms of types of album,’ explained Jansen. ‘Our first album [Worlds in a Small Room] was instrumental, the next vocal; so this should have been instrumental. Also, the record company weren’t budgeting enough for a vocal album, which requires studio time. If they had said, “do another vocal album, here’s the budget,” we’d have done it. But we were quite happy not to.’
Continue reading “New Moon at Red Deer Wallow”
Tin Drum was my introduction to the music of Japan and from there I explored the previous releases. These were my final years at school and it was an exciting time with a world of music opening up to me that I just hadn’t been aware of before. A friend encouraged me to listen, passing me C90 cassette tapes of his favourite music which I would lose myself in, then saving my Saturday job money so I could visit the local record shop to buy the vinyl. The skull-and-cross-bones symbols may have said that home taping was killing music, but it also helped to foster a life-long appreciation of some incredible recordings – many of which I now own in multiple copies: vinyl, cd, re-releases, remasters…
Continue reading “In Vogue”
I was at university in London in the mid-1980s, and my primary connection to what was happening in the world of the ex-members of Japan was the fanzine Bamboo. I would eagerly anticipate each new issue, taking a walk after lectures to the Virgin megastore on Tottenham Court Road to check whether they might have a new issue in stock. If in luck, I’d hop on the bus back to Denmark Hill, make a coffee and sit in the one easy chair in my student accommodation to devour the content from cover to cover. The full set of these A5 volumes still sits proudly in my music cabinet at home – and if any of the dedicated band of instigators and contributors should read this, then please accept grateful thanks for being a lifeline to fans in those days before the information superhighway.
Continue reading “Wave”