When Loud Weather Buffeted Naoshima

‘musique concrète meets Foley artist’

In a 2010 interview, David Sylvian was asked to identify how his experience of the East had influenced him as a human being. ‘I think it affected me in ways that have been so completely absorbed and assimilated that it’s hard for me to comprehend the degree to which I’ve been influenced by my engagement with Eastern culture,’ was the preface to his reply. ‘I might point to the influence of Zen Buddhism and, to a lesser extent, Shintoism and the guiding roles they’ve played in my personal evolution. The beautiful artifice of popular culture and the mutability of persona. The embrace of one’s masculinity and femininity on equal terms, without conflict.

‘Then there are the friendships which grew over time with Japanese artists, musicians, composers, all of whom hold an important place in my heart. Musicians and collaborators such as Ryuichi Sakamoto, Toru Takemitsu, Otomo Yoshihide, Toshimaru Nakamura and, more recently, Dai Fujikura. Visual artists such as Shinro Ohtake, Shinya Fujiwara and Atsushi Fukui. I found a compatible aesthetic in many aspects of their work, particularly with Ryuichi, which reflected my own. I found a community of contemporaries in Japan which I failed to find in my own homeland.’

Continue reading “When Loud Weather Buffeted Naoshima”

Avalon Sutra – Perhaps

‘from the resonant heart of a soulful man’

As David Sylvian’s In Praise of Shamans tour reached the West Coast in April 1988, he was interviewed for a piece in the Los Angeles Times. It was put to him that the ‘New Age tag has cropped up frequently’ in connection with his music. ‘It’s a very easy category to throw me into,’ Sylvian observed. ‘The music generally isn’t aggressive and therefore they define it as easy-listening, and they think I could belong to that category. And also some of the philosophies of life that I speak about they think may bear some resemblance to New Age.

Continue reading “Avalon Sutra – Perhaps”

Blemish (remixed by Akira Rabelais) – End Times

Connecting to something ineffable

On the homepage of David Sylvian’s new label there was a link to the imprint’s ‘Mission Statement’. ‘Samadhisound came into being as one possible blueprint for the future, intuition taking precedence over business sense and game plan,’ wrote Sylvian. ‘I don’t make long term plans as I surrender that part of my life to guru. But if I allow myself to dream I dream of a label that gives freedom to artists and musicians, creating a “safe house” for the nurturing of ideas. It will be home to much of my work and the work of my brother Steve Jansen. We will also sit at the helm as producers to a small group of artists who we hope will find a home at samadhisound. We’ll encourage projects that break new ground, and support those that bring a unique slant to an existing field of enquiry. Aesthetically that field is wide open as is the nature and diversity of the projects.’

Continue reading “Blemish (remixed by Akira Rabelais) – End Times”