When We Return You Won’t Recognise Us

‘the interior life of a community’

March 2009. The venue is on the north-east coast of Gran Canaria, the near-circular island surrounded by the Atlantic Ocean. Part of a Spanish archipelago but geographically much closer to Africa. In fact, at its closest point, Morocco is less than a hundred miles to the East. Centro Atlántico de Arte Moderno (CAAM, or the Atlantic Centre of Modern Art) in Las Palmas has dedicated exhibition space to the second architecture and art biennial of the Canary Islands, with parallel presentations taking place at a number of venues across Gran Canaria.

Silencio, silence, was the chosen theme of a festival that was conceived on this occasion as a meditation on the landscape of the Canary Islands and their unique geographical, topographical and sociological make-up. The event brochure sets the scene: ‘Through photographs, paintings, projections, installations and architectural and landscape projects we seek to reveal a number of different approaches that arise from analysing landscape as an object and as a process: a task which combines elements from architecture, geography and art… these provide us with a framework to analyse and reflect on the elements that form the mosaic of relationships which articulates and constitutes our environment, taking the production of the landscape and its progressive modification over time as our point of reference.’

Continue reading “When We Return You Won’t Recognise Us”

A Certain Slant of Light

A new catalyst for composition

The vocal disc of David Sylvian’s 2011 album Died in the Wool comprises pieces that fall into three categories: variations on tracks from Sylvian’s Manafon album created by Japanese composer Dai Fujikura, Manafon variations led by Punkt festival founders Jan Bang and Erik Honoré, and six compositions appearing here for the first time. Continue reading “A Certain Slant of Light”