Like many fans of Japan, my first exposure to the work of Russell Mills was the cover of their post-split compilation on Virgin Records, Exorcising Ghosts, released late in 1984 after Sylvian’s solo debut Brilliant Trees had hit the record stores. In those pre-CD, pre-download days the artwork was such an integral part of the experience of a new release. A glorious gatefold with carefully crafted typography and art by Mills. I loved how tactile the image seemed, even when reproduced in the gloss of an album sleeve… so expressive, suggestive of something natural and elemental.Continue reading “How Safe is Deep?”
How Safe is Deep?
‘Stealthily as perfume…’