In 1983 the cassette-based magazine Audio Arts published a supplement capturing radical German artist Joseph Beuys in conversation with both the magazine’s founder William Furlong and Michael Newman. The recording was made at London’s Victoria & Albert Museum on the occasion of an exhibition of Beuys’ drawings. The artist, then in his early sixties, quickly widens the discussion to his ‘goals’: ‘I decided in my life not to become a physicist but to try to make an experience with the Arts; to widen understanding of the Arts, to become able to change the social order.’ Science, whilst being highly developed so as to render us ‘even able to fly to outer-terrestrial planets,’ is however unable to make clear ‘what it means to be a human being and what the inner goal of life on earth would mean, and what would be the highest quality for the life of the different peoples on earth, and how they could overcome their inner frustration, and how they could overcome the alienation of their working places. So, in being directed to bring a wider understanding of art which is related to everybody’s labour, on every existing working place, it is on the point where it touches the economical system.’
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Artist as shaman
