Ride – live

Chance adventures

Early in 1997, slipped in with the latest edition of the Medium newsletter – the official information service for Steve Jansen, Richard Barbieri and Mick Karn, was a simple A5 flyer. ‘LIVE at the London Astoria 2, Saturday 12 April 1997,’ it declared, ‘a one-off event with special guests.’

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Ember Glance

‘ideas of space, time and memory’

In the sumptuously presented book that came as part of the Ember Glance box set, before the reader sets eyes on anything of the installation itself, there is a section entitled ‘The Lakes: preparation’. Included here are treated photographs taken by The Douglas Brothers. A portrait of Ian Walton whose gloriously textural daubs of paint would grace the huge final wall in the finished display. Blurred frames of Sylvian in the Cumbrian outdoors. Hands sifting through rocks, twigs and bones, collating material to be incorporated in a public exhibition that will be staged over 5,000 miles away in Tokyo’s docks.

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Epiphany

‘minor axioms of major importance’

In October 2019 I travelled to the Lake District in the North West of England, my first visit for some years. Accommodation was a rented cottage overlooking lake Coniston whose waters reflected the tones and activity of the overarching skies; one moment aggravated by the falling rain, in another glinting back transient sunlight from whence it came. On the far shore stood a grand country house, at dusk the golden lights from its windows calling out invitingly when not obscured by autumn mist. This is Brantwood, former home of John Ruskin and the catalyst for the visit, for a few weeks home to Russell Mills’ installation, Happenstance.

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Preparations for a Journey

‘exploring a different side of yourself’

‘Travelling clears your mind, inspires you with new ideas, or at least helps you pinpoint ideas you’ve had for a long time,’ David Sylvian told the NME in August 1984. ‘If you simply isolate yourself in a room in London, for example, you become too insular, you can no longer centre on the point you are trying to make. You can only struggle for so long in an isolated room before it becomes impossible for you to be objective about it. Travelling helps clear that, you begin to see things more clearly.’

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The Banality of Evil

‘a more unpredictable approach’

Robert Fripp’s online diary, 20th October 2004:
‘Today’s work in London is a recording session for David Sylvian’s new solo album. Eden Studios is conveniently just around the corner from the bijou Chateau de Petite Chevalle [an affectionate reference to the Willcox/Fripp residence in Chiswick, just north of the Thames in London].

Today’s session: for me, a treat. David & his brother Steve were both waiting when I arrived…’

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