Bamboo Houses

‘excited by sound’

In 1984, the Penguin Cafe Orchestra released their album Broadcasting from Home on the Editions EG label. A familiar name listed in the accompanying sleeve-notes was that of Ryuichi Sakamoto, with a co-composition credit for the track ‘Heartwind’. The PCO’s leader, Simon Jeffes, had already enjoyed a long association with Japan by this time, his first visit having been in 1972. ‘It’s as if I discovered myself there and became more confident, musically and personally,’ he said. ‘That trip to Japan was a very formative experience which I expressed in writing. That’s how the Penguin Cafe was conceived. Really it’s a state of mind, but I started writing about this place where you would feel at home and just be yourself. You could meet other people and some kind of home music would be played by an orchestra or a band. The Penguin Cafe Orchestra is now playing that music.’

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The Last Days of December

‘no you to be found’

The initial session that David Sylvian and Dai Fujikura held with musicians from the International Contemporary Ensemble (ICE) in New York yielded material for their first-released collaboration, ‘Five Lines’, together with string parts that were intended for incorporation into Manafon but were ultimately omitted from that album’s mixes. By the time of the second session with ICE, there was an agreed vision for a project based around re-imaginings of the Manafon material, a number of the tracks with the benefit of Fujikura’s string arrangements (read more here).

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Do You Know Me Now?

‘something was lost somehow’

English artist Phil Collins was a nominee for the prestigious Turner Prize in 2006. The Tate Gallery website offers an insight into his work in the supporting text for his exhibit: ‘Phil Collins often operates within forms of low-budget television and reportage-style documentary to address the discrepancy between reality and its representations. In his projects, Collins creates unpredictable situations and his irreverent and intimate engagement with his subjects – a process he describes as “a cycle of no redemption” – is as important for his practice as the final presentation in the gallery.’

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Cancelled Pieces – Playground Martyrs (reprise)

Injecting creativity

Anja Garbarek’s 2001 album Smiling & Waving is notable for a number of reasons. Firstly, two tracks are produced by Mark Hollis of Talk Talk: an extremely rare foray into music after his self-titled album, released in 1998, signalled a retreat from public to private life. That album had been playing in a London record store when Anja visited whilst preparing for the recording of Smiling & Waving. ‘I heard the most beautiful music,’ she told Anil Prasad in an interview for his Innerviews site. ‘It had the same spirit I wanted to achieve with the music I was currently working on. It turned out to be Mark Hollis’ solo album. I went straight home and called the record company and asked them what my chances were of working with Mark. I presumed he was still active, but they told me that he had retired from the music industry after releasing his solo album. Somehow, they managed to set up a meeting with him and we got on really well.’ (2019)

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Life Without Buildings

‘an exciting shift’

‘One of the main influences for me is travelling. I really enjoy travelling and it stimulates the imagination,’ shared Mick Karn in a 1996 interview with Anil Prasad for his Innerviews website. ‘I think a lot of the way I write is actually to think of a place and to imagine that place, what pictures come up. It’s an old trick that we used to use a lot in Japan actually, where we would just give each other a name of a country and we would all go away and think about this country and then get together and try and write a piece.’

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