Burning Bridges

‘our influences on our sleeve’

Richard Barbieri, Mick Karn and David Sylvian were all classmates at Catford Boys school in South London. Karn and Sylvian were friends, their surnames then Michaelides and Batt, the latter’s home being ‘close to the school,’ as Mick recalled, ‘so we would go there together for lunch, with his brother Steven Batt bringing a friend and joining us.

‘Music was our common interest, namely David Bowie. Steve was a big Alice Cooper fan and they were both very keen on T. Rex and their earlier incarnation Tyrannosaurus Rex… Every inch of their rooms were filled with posters, I’d never seen anything like it.’ A photograph of a teenage Sylvian shows him strumming a 12-string guitar with every inch of wall space taken up by pictures of his musical idols. Clearly visible is a shot of David Bowie performing ‘Cracked Actor’ on the Diamond Dogs tour of 1974, with dark glasses, cape and skull in hand, below there is one of Terry O’Neill’s images of the singer with an imposing dog – a publicity photograph for the album after which Bowie’s tour was named.

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Wonderful World

‘how beautiful life is’

The US leg of the Everything and Nothing tour wound to a close with a show at the Wiltern Theatre in Los Angeles on 14 May 2002. It wasn’t long before David Sylvian’s attention turned towards new work after an extended period compiling and completing material from the preceding 20 years, firstly for the excellent vocal cd set which gave the tour its name and then for its instrumental companion, Camphor, which came out a couple of weeks after the LA gig.

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A Danger to Ourselves – Covenstead Blues

‘working obsessively with sound’

‘I’ve been slightly afraid,’ revealed Lucrecia Dalt as her album A Danger to Ourselves was released after months of intricate crafting and then the best part of a year taken up with the practical machinations required for its public launch. ‘I say afraid because I recognise it as a fear to expose the personal in music. I’ve always been somewhat reluctant to do it, so it felt more comfortable to invent a whole story that I could talk about, so I could detach emotionally and create something based on that. But in this one it felt for the first time, very naturally, like I wanted to work from the process of pretty raw sincerity.’

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Cosa Rara

‘a strange thing’

The Attenborough Centre for the Creative Arts is part of the University of Sussex, occupying an impressive building within their Brighton campus. Originally opened in 1969, the architecture was the design of Basil Spence, facilities being housed within three red-brick rings which apparently represent the unity between the arts. Despite earning listed building status in recognition of its architectural significance, the space was closed in 2007 due to funding difficulties. It ultimately reopened for public use in 2016 following extensive refurbishment.

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Alphabet Angel

‘unconditional love’

At the peak of Japan’s popularity in 1982, David Sylvian was posed a question during an interview with The Face: ‘Do you like children?’ The 24-year old’s response was: ‘I hate children. Children in airplanes is my biggest hate, I just cannot stand having children in such close contact and not being able to get away from them.’ Whilst some might sympathise regarding experiences when flying, Sylvian’s outspokenness reminds me how young he and his fellow band-members were at the height of their success, and how they had existed within a relatively insular world to that point.

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