‘the possibility of new life’
The story of the ‘reformation’ of Japan (or to be accurate, of the four members who created the band’s final studio album, Tin Drum) was something that I followed in real time through the pages of the fanzine Bamboo. The first hint of such momentous news was contained in the Summer 1989 edition and almost comically understated, undoubtedly because the situation developed whilst the print publication was being finalised.
Continue reading “Blackwater”‘more than a fascination’
Eight Days a Week was an arts review programme broadcast on BBC2 on which host Robin Denselow discussed the latest music, movies and books with a small invited panel. The show had a relatively short run in 1983 and 1984, but that timing allowed for the release of David Sylvian’s debut solo LP, Brilliant Trees, to be a subject of discussion. Among the guests that evening was former Be-Bop Deluxe front-man and guitarist, Bill Nelson.
Continue reading “Answered Prayers”‘Just glorious. Transporting. Mesmerising.’
Gone to Earth draws to a close with its most musically up-beat track. Probably the first radio play of ‘Silver Moon’ was on London’s Capital Radio at the close of a disappointingly brief interview with David ‘Kid’ Jensen, who had indulged in much more in-depth discussions with David Sylvian during his prior stint as evening host on BBC Radio One. Speaking a few weeks before the release of the album, Sylvian introduced the track saying, ‘I think it’s quite a romantic piece. It’s almost a love song… It’s the nearest I’ve got to writing one for a while anyway…’
Continue reading “Silver Moon – Silver Moon over Sleeping Steeples”‘harmony between you and your environment’
A double album comprising a disc of vocal tracks accompanied by another of instrumental cuts was certainly an unusual proposition for a mid-’80s release from a pop artist with chart potential. Early in the genesis of the follow-up album to Brilliant Trees, Sylvian had toyed with releasing the first three vocal tracks he had written backed with ‘Steel Cathedrals’, or perhaps as part of a package with Words with the Shaman. Ultimately those instrumentals would see standalone release in video and EP form respectively, but when Gone to Earth eventually reached us it was in anything but a conventional format.
Continue reading “Sunlight Seen Through Towering Trees”‘this dark emotional experience personified’
As the sun set on an artistically fruitful 1980s and a new decade dawned, collaborative projects would be the primary outlet for David Sylvian. ‘For the past almost three or four years, I’ve being going through quite a powerful emotional change in my life and it took me a long time to come to terms with what was happening. So I thought, rather than just slogging away without getting to grips with it, I should perhaps collaborate and allow myself to work more on the spur of the moment,’ he explained in 1991, as the eagerly awaited reunion project of the former members of Japan – Rain Tree Crow – was first shared with an intrigued audience.
Continue reading “Blackcrow Hits Shoe Shine City”
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