‘our influences on our sleeve’
Richard Barbieri, Mick Karn and David Sylvian were all classmates at Catford Boys school in South London. Karn and Sylvian were friends, their surnames then Michaelides and Batt, the latter’s home being ‘close to the school,’ as Mick recalled, ‘so we would go there together for lunch, with his brother Steven Batt bringing a friend and joining us.
Continue reading “Burning Bridges”‘an exciting shift’
‘One of the main influences for me is travelling. I really enjoy travelling and it stimulates the imagination,’ shared Mick Karn in a 1996 interview with Anil Prasad for his Innerviews website. ‘I think a lot of the way I write is actually to think of a place and to imagine that place, what pictures come up. It’s an old trick that we used to use a lot in Japan actually, where we would just give each other a name of a country and we would all go away and think about this country and then get together and try and write a piece.’
Continue reading “Life Without Buildings”‘a sense of fascination’
Words with the Shaman was released at the end of 1985, both as a standalone 12″ vinyl and as part of the limited-edition cassette, Alchemy – An Index of Possibilities. David Sylvian’s sleeve-note on the vinyl placed the recordings in context: ‘The compositions compiled for the E.P. were conceived as musical footnotes to some of the themes started earlier on the album Brilliant Trees, and were developed as a collaborative group effort for which I am very much indebted to all who took part.’
Continue reading “Ancient Evening – Incantation”‘a real hope’
‘Lt Colonel Colin Mitchell became famous in the late 1960s as commanding officer of the Argyle and Sutherland Highlanders,’ explains Chris Moon, recalling his job interview with the colonel early in 1993, as he searched for the right assignment to follow his own service in the military. ‘He set up a mine clearance charity after visiting Afghanistan, where he saw farmers unable to work their land, refugees who couldn’t go home and a Red Cross hospital full of amputees.’
Continue reading “Zero Landmine”Realising possibilities
Tin Drum was my introduction to the music of Japan and from there I explored the previous releases. These were my final years at school and it was an exciting time with a world of music opening up to me that I just hadn’t been aware of before. A friend encouraged me to listen, passing me C90 cassette tapes of his favourite music which I would lose myself in, then saving my Saturday job money so I could visit the local record shop to buy the vinyl. The skull-and-cross-bones symbols may have said that home taping was killing music, but it also helped to foster a life-long appreciation of some incredible recordings – many of which I now own in multiple copies: vinyl, cd, re-releases, remasters…
Continue reading “In Vogue”
