‘It’s rather a low-tech recording,’ said David Sylvian of Blemish, ‘although there are certain elements to the record which were developed with software, particularly Christian’s track [‘A Fire in the Forest’] and ‘Late Night Shopping’.’ The burbling electronic undertone and accelerating oscillations of the latter distinguish it from the Derek Bailey guitar improvisations that form the basis of the tracks either side in the album’s running order.
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‘a comfort tool’
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