Late Night Shopping

‘a comfort tool’

‘It’s rather a low-tech recording,’ said David Sylvian of Blemish, ‘although there are certain elements to the record which were developed with software, particularly Christian’s track [‘A Fire in the Forest’] and ‘Late Night Shopping’.’ The burbling electronic undertone and accelerating oscillations of the latter distinguish it from the Derek Bailey guitar improvisations that form the basis of the tracks either side in the album’s running order.

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Blemish (remixed by Akira Rabelais) – End Times

Connecting to something ineffable

On the homepage of David Sylvian’s new label there was a link to the imprint’s ‘Mission Statement’. ‘Samadhisound came into being as one possible blueprint for the future, intuition taking precedence over business sense and game plan,’ wrote Sylvian. ‘I don’t make long term plans as I surrender that part of my life to guru. But if I allow myself to dream I dream of a label that gives freedom to artists and musicians, creating a “safe house” for the nurturing of ideas. It will be home to much of my work and the work of my brother Steve Jansen. We will also sit at the helm as producers to a small group of artists who we hope will find a home at samadhisound. We’ll encourage projects that break new ground, and support those that bring a unique slant to an existing field of enquiry. Aesthetically that field is wide open as is the nature and diversity of the projects.’

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